Wednesday, July 17, 2019
Hubris in Time of the Hero and Thing Fall Apart Essay
In the novels The Time Of The  hacek (TTOTH) by Mario Vargas Llosa and Things Fall Apart (TFA) by Chinua Achebe,  two  generators focus on the  root of hubris and the excessive pride of powerful  eccentrics. In    purge upt  two the  cougar (TTOTH) and Okonkwo (TFA)  ar char turn of eventsers, which represents this  persuasion of Hubris, as theyve been shaped by their social environment and the  nonion of  manfulness and  hierarchy. In TFA, Okonkwo respond to the Igbo society  finished his obsession of being hyper-masculine.In TTOTH, the  cougar adapts himself to the  crazy environment of the academy and the  crusade to survive, and even raises himself above the  opposite cadets. In  some(prenominal) cases, the  source  surfaces to the  referee that the characters  manfulness leads him to the   thinker of hubris, by creating the  misrepresentation of an  ut to the highest degree(prenominal) power base around the  jaguar and Okonkwo.  save in both novels, the writer  in  homogeneous m   anner  ingestion the idea of  muliebrity as an obstacle for both characters pride. Further much, hubris is  similarly  conjugate to the idea of determinism, as the   come pride of  all(prenominal) character leads him to his  take in d knowledgefall.In TFA and TTOTH, The idea of Hubris seems to be linked to the pressure of society. In both cases, characters   be born into a hierarchical society in which the  aureole of manliness and the passion of  survival of the fittest, leads  close to  virile characters to excessive pride. In TFA, Chinua Achebe shows the hierarchical  expression  betwixt g suppressers in Igbo society. This idea of hierarchy between genders is shown with the distinction between crops, as the yam, which is exclusively grown by men,  emblemising the tribes paying attention for mens physical strength.This  equal idea of separation of genders is  as well as shown with the  oddment between men and women crimes, which shows the distinction between powerful men and weak    women. This  intelligibly shows a hierarchical society in which women are seen as weaker, and men are defined by their physical prowess.  and so Okonkwos obsession for  masculinity shows the  ineluctable force of society in  determine a military personnel character. Okonkwo then seems to be linked to the idea of hubris, as his  experience of manliness is  cold more  complete than the clans, as he links masculinity with aggression, and devalues everything  powder-puff.This shows that through his excessive perception of manliness, Okonkwos expectations of himself as a masculine power, far exceeds the scope of   ane being. In TTOTH, the  uncultivated environment of the academy is also linked to the glorification of manliness. Like in TFA, thither is the idea that one man is  respect for his physical prowess, and his will to survive in this vicious hierarchal  dust, which is foreshadowed by the   fiction of the Circle One dog as to survive the ill-treatment of older generations, to  eve   ntually express his own frustration  over the next generations.In  particular the metaphor of young generations to dogs is itself relevant of the  bring that one has to show and to prove his power. This hierarchical system seems to be related to the idea of survival of the fittest, as the Slaves  deficiency of manpower results in his death.  even, the example of the catamount in TTOTH is quite similar to Okonkwos in TFA, as the  pumas needs to  check over power over the  other cadets is more  primitive than it is for his comrades. In  concomitant the catamount is  clear linked to hubris through his need to expand his power in the  solid academy over the dogs, the older generations or his own comrades.The notion of pride also seems to be fairly influenced by the  enate  similitude that characters have with fathers. In TFA, Okonkwos relationship with his father surely shapes his violent and ambitious spirit. Okonkwos fear of  turn as weak and effeminate as his father, clearly influenc   es the character to become the complete antithesis of all that his father was, making him the extreme hyper-masculine  chassis. In TTOTH, the writer uses a  dissimilar  simulacrum of the father, which is more the symbol of authority, and of the pressure that society has over  male characters, to make them grow as men.However the fact that the Jaguar is the son of a poor widow, shows how his relation with Skinny Higueras, is  utilise as a substitute for the  paternal relation he didnt had. This shows how his relation with Skinny and his criminal past, has an influence on his  quite violent temperament, and his need to  obtain superior. It seems that both writers attempt to show the Jaguar and Okonkwos extreme pride, to the reader by putting in place an illusion of supreme power. In TFA, the writer seems to show the idea of hubris by putting the reader into an illusion in witch Okonkwo is seen as super man, or above other human characters.This is shown through the association of Okonk   wo to burning  energize, and flame throughout the novel. This creates an illusion as the reader then associates Okonkwo to the idea of extreme power, and dissociates him to other human characters. In fact the  end clearly symbolizes Okonkwos  crushing and animalistic personality, as he destroys everything he consumes. In TOOTH, the metaphor of the jaguar is  utilize as an illusion to the reader who no  long sees the character as rigorously human.This dehumanisation of the character is at   most(prenominal) point like Okonkwo in TFA, as the reader sees the character as an emotionless, powerful,  negative figure. Furthermore, the writers use of the  graduation person singular, and the fact that it is the jaguar who named himself that way, highlights to the idea of hubris, as on  roughly level, its seems like the illusion of extreme power is in fact the perception that the character has of himself. In both novels, the writer demonstrates at some point that each man has something femini   ne in boldness him, which in the case of a hyper masculine figure, acts as a  flagellum to his extreme pride.In TFA, Okonkwos  throw out to his motherland, in response to his women crime, clearly represents an obstacle to the characters pride. This is not only an issue for Okonkwos  understand as a virile warrior this is even more a threat to the characters personality, as it is the opportunity to get in  partake with his feminine side. In fact Okonkwos pride in his masculinity, seems to be challenged throughout the novel, by his hidden femininity. In fact his son Nwoye, is used by the writer as a constant  reminder of Okonkwos feminine part that he  raisenot get rid of.In TTOTH, the Jaguars  weakness also seems to be symbolised by the feminine figure of Teresa. In fact the scene on the  brim is relevant to the Jaguars  legitimate personality, as he is no longer seen as an emotionless character, but rather as a more human character, through the jealousy he feels toward Teresa. thusl   y the writer uses the female figure as a rupture between the  visualize of the powerful Jaguar of the academy, and the sensible teenager. However when the Jaguar insults Teresa after he sees her with some other boys, this also shows how the jealousy he feels is in fact seen as an  ample threat to his pride.Therefore both writers use the idea of femininity as a constant reminder of the hidden weakness that the character tries to reject. Finally, in both novels  on that point is the idea that hubris is linked to determinism, as both characters seems to lead themselves to their own downfall. In TFA, Okonkwos  natural selection of a life of anger,  rule by his obsession of being a hyper-masculine figure, is what makes him a character, which is quite unbalanced. In fact in chapter 17and 24 the writer shows that Okonkwo is not blind but rather painstaking as he acknowledge that the fire inside him destroys everything it consumes, including him.Furthermore, by destroying himself physically    at the end of the novel, it  bathroom be argued that on some level he has also destroyed most of his pride, as the act of suicide shows the emasculation of the character on some level. In TTOTH the Jaguars tyrannical  deportment over the other members of the academy, is finally reflected on himself at the end of the novel, as he is beaten by a  crowd of cadets. Therefore there is an idea of a reverse situation in each case on one hand, Okonkwos act of suicide is quite  affect and deceiving for such a character who  unbroken showing himself as the extreme figure of manliness.On the other hand, there is the  resourcefulness of the tyrant being overthrown. However, even though that both characters seems to end up divine revelation their secret and truer nature (in comparison to the image that they have of themselves), they  shut away keep most of their pride. In TFA, Okonkwos suicide can be seen on one side as an act of emasculation, however on the other hand Okonkwo still keeps most    of his pride by refusing to submit himself to the Christians until the end of his life. In TTOTH, the Jaguar never submits himself to the other cadets, even when everyone is against him.In fact when the other cadets falsely accuse the Jaguar, he still keep his pride, and still sees himself as  founder than them, even know that he no longer has power over the others. Furthermore, it can be argued that the final act of both characters has a heroic dimension, which still makes them  rarefied character until the end. In conclusion, in both novels the writer focuses on the idea of hubris by showing characters whose expectations of themselves far exceeds the scope of one being.In fact both, Okonkwo and the Jaguar are characters shaped and extremely well  capable to their social environment, which is surely a  main(prenominal) cause of their excessive pride. However, both writers also seems to link the notion of hubris to determinism as the choice of both characters to live in hubris, lead   s them to their own social downfall, and in the case of Okonkwo to his own destruction. Nevertheless, both characters still hold to their pride, as they remain faithful to their own opinion, even during their downfall.  
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